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media mix

When news breaks that a traditional magazine company is looking to eliminate print and go all digital, the reflex assumption is that it’s a last ditch effort to keep a flagging franchise alive.

Take the report in yesterday’s Telegraph that Emap is looking at making some of its trade mags online only.

Editors from across the trade media and events business, which is jointly owned by Guardian Media Group and private equity group Apax, have been asked to examine “the best way of delivering content to users” between now and 2015, and to consider how they could reduce the frequency of print publications or phase them out altogether.

Emap to make weekly trade magazines monthly or online onlyIs this a death sentence for the magazines that are told to cut back their print copies, or suspend them all together?

Not necessarily.  The article notes one Emap title that’s already made the change:

In 2010, Emap changed film industry magazine Screen International from a weekly to a monthly title, prompting a jump in profits and reader satisfaction.

Before you shake your head at the battering that traditional print takes, let’s spend a second celebrating the vibrancy of good brands.

I read this story on the web from a U.K. newspaper.  It’s primary journalism, sourced and cited, reporting on a development at an important company in its market.  When I saw that the story was from the Telegraph I assigned it more authenticity and credibility than I would have from another source.

Those are all attributes of the brand that were established over time, in the traditional world, and transferred into a digital world.

That’s a basic reason why we shouldn’t discount the efficacy of a brand shifting from print to digital.  As the article cites, readers experience a lot of satisfaction when they encounter a good digital content experience.

So what’s the problem, beyond the nervousness that those mired in traditional media experience when they contemplate a world without the processes they are familiar with?

The business model, or  lack thereof.

A decade or so of dis-intermediation, of booms and busts, of market re-invention, of unthinkable valuations, of technology usurping tradition, of automation, self-serve and free has cast a pall over the traditional ways of serving markets.  But what publishers are realizing, as they re-engage in conversations with marketers and look for ways to intersect with, educate and entertain readers, is that the combination of new technologies, consumer behavior and marketer demands has created a new foundation for building profitable targeted media businesses on digital platforms.

That those are common buzzwords I just rattled off doesn’t make the observation any less true.

When you combine a flexible content platform with a targeted and interactive digital distribution program, you are able to give marketers solutions that deliver high-quality connections and drive business results.  You can package solutions that enhance multiple elements of their marketing program, from brand advertising to lead generation to education to content marketing to web traffic.

A traditional print platform can’t offer the flexibility or breadth of the digital platform.

So, the examination that Emap has mandated isn’t a death knell, it’s an opportunity for a group of long-tenured brands to focus their resources on meeting their market where they can have the most impact: online.

Does that mean print is dead?

Not at all.  The printed product continues to offer high impact, engagement and value.  It just is the highest fixed-cost aspect of the integrated media model, and because of that needs to be able to justify its place in the media mix not just for the advertiser but for the publisher as well.

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One of the key premises of my presentation at Kelsey’s Interactive Local Marketplaces conference is that we are experiencing a shift in the modularity of local media that is an inevitable by-product of the expansive period that we have just exited.

Over the past five years, as local marketing budgets have grown in pace with the increase in consumer consumption, marketers had more money to try more things. But they also had enough money to market in all the conventional ways. So, while entrepreneurs and venture capitalist were investing time and energy in new technology and ways of organizing the local marketplace, most marketers were plowing the majority of their dollars into traditional media, like newspapers, yellow pages, direct mail and other outlets.

With the current sharp drop in consumer consumption, local marketers don’t have the luxury of advertising everywhere. In fact, they don’t have the confidence to advertise anywhere. They want to spend as little as possible; ideally, they will spend nothing at all, but still keep enough activity around their business so they can make some sales.

Long term, not advertising at all isn’t a sustainable strategy. But, in the meantime, the relative value of media is shifting markedly in the local marketplace. Advertisers are drawn inexorably to low cost; recent new media launches supply attractive, low-cost alternatives. Share is shifting because resources are shrinking, and new business models — often still operating at a loss or a minimal profit — provide increasingly effective alternatives.

I’ve reproduced here the slide from my presentation that refers to relative value of different local media. I focused on the real estate category in my talk because this sector is two years into the housing contraction, and the behavior that I believe is going to play out in other local media sectors has already happened here.  For illustration purposes, I have intersected the X and Y axes of the slide with a downward sloping diagonal line, which roughly replicates the trajectory of agent commission earnings over the past three years.

My point during the talk was that during the boom yeamiRhgJ.jpegrs, when realtors had a surplus of money, they were comfortable focusing their marketing energies toward the top half of the square. As a result, media in the upper right quadrant had a large pool of willing advertisers. Revenue rose as a result.

As resources for marketing have been cut, advertisers are focusing their attention on the bottom half of the ZLwBTN.jpegsquare, looking for marketing options that preferably will cost them nothing. The second chart reproduced here shows the shift in the pool of potential customers. This shift helps to explain the increased time and energy that many real estate agents are making in social media and blogging: these are options that have no hard cash cost, and that give the agent comfort that they are working to keep their name and reputation out in the market.

I do not want to give the impression that I believe the relative value of all the media  on the matrix has changed. You can look at this chart and conclude that there isn’t a role for traditional media. In fact, my company is highly invested in multi-platform media based on a traditional specialty magazine brand, The Real Estate Book.

My point is two-fold. First, advertisers will invest more time in low-cost or alternative options in bad times than they will in good. This will lead to a shift in the way that they get leads. Second, as advertisers get more leads from alternative sources, they will put price pressure on traditional media. This is bad news for high-priced media like newspapers. For more efficiently priced media, like specialty magazines, price will be an issue when advertisers feel like their income is consistently at risk.

There is a long-term role for traditional advertising — that was a key point in my talk. The challenge will be to survive through a very dark winter, while the market adjusts and begins to recover.

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Shirky, Sulzberger, Veblen — Reinforcement and validation

March 16, 2009

Shirky’s essay on newspapers dovetails with Sulzberger’s speech on the future of the NY Times, with color commentary provided by Thorstein Veblen.

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